A banker before being approached to model for a Danish newspaper called Ekstrabladetn, Suzanne Brecht became a popular model in big-bust magazines during the late 1980s and early 1990s. No tattoos and no body piercings to be found. She never posed that much, especially compared to the girls of today, so her layouts were published and republished all over the world, often under different names made up by the editors. Suzanne only modeled for a short time, returning to her banking job in Copenhagen and apparently never feeling the urge to make a comeback. The stylists of those years were into having the girls wear evening gloves. I’m glad that phase is long gone. See more of Suzanne and many more great girls of the past at SCOREClassics.com.
Tag Archive: SCOREClassics.com
As many of you know by now, Lisa Lipps is our newest SCORE Big-Boob Hall of Famer, joining Lorna Morgan, Alexis Love, Alyssa Alps, Angelique, Autumn-Jade, Busty Dusty, Chloe Vevrier, Crystal Gunns, Danni Ashe, Daphne Rosen, Devon Daniels, L.A. Bust, Linsey Dawn McKenzie, Nicole Peters, Merilyn Sakova, Nikki Knockers, Pandora Peaks, Sarenna Lee, Sharday, Tawny Peaks, Tiffany Towers, Traci Topps and Wendy Whoppers in the pantheon of big tits.
But here’s a question we keep getting: Why are girls who posed only for Voluptuous not eligible for the Hall of Fame?
Well, the answer is simple. It’s the SCORE Big-Boob Hall of Fame.
But what if we had a Hall of Fame for all big-bust models…and I’m talking about any girl who has ever taken her top off for a big-boob magazine, any magazine? What would that look like?
Who would be in your Big-Boob Hall of Fame (other than the 24 girls who are already in it, of course)?
I’ll get things started with two girls who pre-dated SCORE and V-mag and one girl who was mostly a Voluptuous model; Uschi Digard, Candy Samples and Rhonda Baxter.
Okay, guys, let’s fill that Hall! Who would be your girls?
SCOREClassics.com isn’t all about the superstar legends of the past. For every Alexis Love or LA Bust, there were many other girls who filled the pages of SCORE and V-mag.
Shanelle Staxx’s layouts always wound up being published in Autumn issues (September ’94, October ’95, October ’97 and September ’98). The petite exotic dancer was one of the first to have a website, and like most of the feature strippers who posed for SCORE, she had a mail-order fan club.
It’s a joke that nostalgia ain’t what it used to be, but we have to debate that point. A lot of the guys who were of age back then prefer the way it was compared to now. The girls of the 1980s and 1990s are so different from the girls of today, it’s like the present-day babes are from another world. Many of the models like Shanelle were dancers who traveled the world, got to know the club-goers and industry people in person, appeared on television talk shows and in newspapers and posed for professional studios. They didn’t live in a social media cocoon, glued to their phones. I wonder how many models today would feel comfortable on a week-long Boob Cruise with a hundred people, if it was ever revived.
Shanelle won so many stripper contests that “I can’t even remember them all,” she said. “Traveling. That’s the best part of being a performer. I get to travel around the world. Australia, Europe and the US. It’s hectic and I live out of suitcases, but it’s very exciting.”
Shanelle did very little video modeling, so the scene we just posted is extremely rare.
A few days before Christmas, I asked, “Who are the most-beautiful SCORE Girls ever?” Reader CVN, who has a good memory, brought up Carrie, a slim British girl with a hairy pussy who modeled for a brief time in the mid-’90s and hasn’t been heard from since. Good call, CVN! Carrie was a real beauty.
I bring her up because Carrie is being featured this week at SCOREClassics.com, our new website that celebrates the girls of yesteryear and does so in a very interesting way: with re-mastered videos that allow us to hear the actual sounds and dialogue on the sets. No cheesy music here. You’ll get to know the models like never before and gain real insights into their personalities.
Tuesday, we posted “A Day In The Life of Carrie,” in which Carrie poses for cover shots, wears girl-next-door clothing on the roof of the studio, moves on to the parking lot and then changes outfits for the country girl photo set that goes up today. SCOREClassics.com also has a photo set and video of Carrie pregnant.
Who would you like to see getting the SCOREClassics treatment?
2017 is over, but it will be remembered as a great one for big-boob lovers. What were your five favorite big-tit events of 2017? Here are mine, in no particular order:
• Alaura Grey not only returns with bigger naturals but does her long-awaited first hardcore scenes.
• Nine months after returning from a long hiatus, blonde fuck doll Danielle Derek super-sizes her tits and does her first mega-rack DP.
• Our first naturally stacked sisters, Erin and Helen Star, debut at SCORELAND and in SCORE and Voluptuous.
• SCOREClassics.com, the ultimate website for those of us who have very fond memories of the big ’80s and ’90s (and, in some cases, the ’70s), makes a smashing debut. John Fox’s idea of using the natural, original audio, including the exchanges between the photographers and the models, instead of wiping the audio and adding canned music is brilliant
• And here’s one that’s kind of personal and exclusive to me, the photographer and the makeup artist on the shoot: Meeting newcomer Amora Lee during her first-ever nude modeling shoot on December 22. This beauty has one of the best natural racks I’ve ever seen, and she’s coming soon. She’ll help make your 2018 great (and I’ll have a photo very soon).
There’s my list, and I’m not even including the sight of Mariah Carey, desperate to impress, freezing her tits off on New Years Eve in Times Square.
A rare video and two pictorials of a very busty, redhaired exotic dancer are showing this week at SCOREClassics.com. Do you remember Tabatha Towers from the early 1990s? She was a Wisconsin-based feature dancer who traveled the USA and Canada.
Tabatha is wearing a bikini in the video. The first part was shot at the beach. The second half was shot outdoors in a secluded, wooded area that had a tree house and a swing. This location was used a few times with other girls.
Strippers today, even the top features, sport small boob-jobs, piercings, bald pussies and thin physiques. The strippers of the past were really stacked, curvy, had trimmed bushes (almost everyone had some degree of muff) and were not inked all over (some had a tribal band on their arm or wrist). Don’t bother trying to find any dancers who would compare to Tabatha. You won’t find any. Her areolae are as big as buttermilk pancakes and she could lactate.
If I was in New York City, I would try to catch a big-bust feature’s show. There were three clubs that always booked them for the week, Flashdancers, NY Dolls and Private Eyes. I never had the opportunity to see Tabatha’s show. The timing just never worked.
Before the internet, social media sites and DVDs, we went every month to the newsstands and magazine stores to check out the latest big-boob issues and see who was the newest girl to bust out. Some of us subscribed by mail instead of the monthly visits. We bought the latest VHS tapes by mail-order to see our favorites in solo or hardcore action. It was a slower, more leisurely pace of life. Part of that pace was the anticipation, the increasing excitement and the build-up. It took time to get a new girl to the newsstands once she was filmed. The web changed all of that. Today, the internet has created a frantic need for instant gratification in just about everything. Every day is information overload day.
Which brings me to the new website SCOREClassics.com. The girls we waited monthly for in the late 1980s and early 1990s are the reason it was created. Girls who were the cover stars and busty sensations of that time, such as Lisa Phillips and Tracy West. Many of them were British or European naturals. Then the super-sized Americans arrived and began to outnumber them. The Yanks were exotic dancers filling the strip clubs of North America. The Brits and Europeans were more often than not students or held ordinary jobs. Suzanne Brecht worked in a bank. Do you remember busty legends Cathy Patrick, Jeannine Oldfield and Debbie Jordan?
So what makes SCORE Classics so different?
Whether you bought those VHS tapes or have seen the digitized videos on the web in recent years, you saw the video after an editor erased the original audio of the directors and girls talking, removed bloopers, errors, camera movements as the photographer shifted his angles and re-takes, and added music.
The videos here are uncut and raw, struck from the tapes they were shot on with the original audio intact, depending on the physical condition of these decades-old videos shot on UMatic or Beta tapes that were stored away for years. One box of these big, heavy tapes weighs about 30 pounds. (Photographers today who just slip a tiny memory card into their digital cameras should thank the unknown tech geniuses who created these advances.)
You will hear the photographers directing and talking to the models, hear the voices of the models and the background sounds of the studios and locations. We see the bloopers, the re-takes and the mistakes. No one outside the studios and editing rooms of that time has ever heard or seen these raw videos until now at SCOREClassics.com.