Before the internet, social media sites and DVDs, we went every month to the newsstands and magazine stores to check out the latest big-boob issues and see who was the newest girl to bust out. Some of us subscribed by mail instead of the monthly visits. We bought the latest VHS tapes by mail-order to see our favorites in solo or hardcore action. It was a slower, more leisurely pace of life. Part of that pace was the anticipation, the increasing excitement and the build-up. It took time to get a new girl to the newsstands once she was filmed. The web changed all of that. Today, the internet has created a frantic need for instant gratification in just about everything. Every day is information overload day.
Which brings me to the new website SCOREClassics.com. The girls we waited monthly for in the late 1980s and early 1990s are the reason it was created. Girls who were the cover stars and busty sensations of that time, such as Lisa Phillips and Tracy West. Many of them were British or European naturals. Then the super-sized Americans arrived and began to outnumber them. The Yanks were exotic dancers filling the strip clubs of North America. The Brits and Europeans were more often than not students or held ordinary jobs. Suzanne Brecht worked in a bank. Do you remember busty legends Cathy Patrick, Jeannine Oldfield and Debbie Jordan?
So what makes SCORE Classics so different?
Whether you bought those VHS tapes or have seen the digitized videos on the web in recent years, you saw the video after an editor erased the original audio of the directors and girls talking, removed bloopers, errors, camera movements as the photographer shifted his angles and re-takes, and added music.
The videos here are uncut and raw, struck from the tapes they were shot on with the original audio intact, depending on the physical condition of these decades-old videos shot on UMatic or Beta tapes that were stored away for years. One box of these big, heavy tapes weighs about 30 pounds. (Photographers today who just slip a tiny memory card into their digital cameras should thank the unknown tech geniuses who created these advances.)
You will hear the photographers directing and talking to the models, hear the voices of the models and the background sounds of the studios and locations. We see the bloopers, the re-takes and the mistakes. No one outside the studios and editing rooms of that time has ever heard or seen these raw videos until now at SCOREClassics.com.
Hitomi’s claim to fame is her super-natural bust, of course. Yet overlooked and almost never mentioned or praised are Hitomi’s shapely legs. Today, SCORELAND pays photo and video tribute to Hitomi’s legs, encased in fully-fashioned nylon stockings, garters and spiked heels.
To complete the retro look, Hitomi’s wearing a tight top, bullet bra and a tight skirt, the kind that actresses wear on TV’s Mad Men.
The editor of Leg Sex magazine loved her look so much, the pictorial was published in the Summer 2014 edition (Volume 18 Number 2), on-sale May 27. Hitomi is the covergirl. Hitomi fans, add this to your collection.
Hitomi's projectiles are on full forward thrust in that bra and blouse.
If Rockell lived back in the wild west of the late 1800s, as tomorrow’s fantasy video and pictorial brings to life, there would have been no Klondike Gold Rush. There would have been a Rockell Big-Boob Rush.
It’s no stretch of the imagination to picture Rockell as a dance hall fantasy girl, time-tripping back to 1876 Deadwood, South Dakota. Except there would be no dead wood with Rockell around. Not with her beautiful face, gorgeous body and big boobs.
Maggie Green time-warps to an era in American history when sexy dames in seamed stockings and bullet-bras kept the drinks cold and their tits and pussies warm for their private eye bosses like Sam Spade.
They answered a few phone calls and kept pretty and dolled-up while Sam was getting clobbered in some dark alley by a gangster named The Fat Man.
But at least Sam had a big-titted gal back at the office ready to put an ice pack on his skull and suck his private dick at the same time. See? Yeah.
They don’t make loyal “skirts,” as Sam would have called them, like this anymore.
See Maggie’s pictorial at SCORELAND tomorrow and watch out for those snapping garters and pointy nipples. They can take a private eye out.
That's a Royal Quiet DeLuxe Manual Typewriter made in the 1950's that Maggie is using. There's no paper in it but who cares? We didn't hire her for her secretarial skills. Look at that face and those tits!
You have to love a girl who gives her sex toys names, such as Sebastian and Foxy Roxy. I do.
Julia Juggs really loves her vibrators, anal probes and dildos. She brings her toys with her to the SCORE Studio when she visits. Imagine the collection she has at home. I think I know what she gets as Xmas presents.
No one else at SCORE is so into anal toying as Julia is. I’m amazed she doesn’t leave the bedsheets scorched after a shoot. It’s a good thing they’re not made of flammable fabric.
Julia Juggs absolutely lives up to her name with her blazing-hot body, fuck-me face and retro-burlesque vibe. Like Sheridan Love, she’s also a tweetheart with a high-energy personality.
This photo from Julia’s December ’11 Voluptuous pictorial captures that 1950s Las Vegas teaserama burly-Q pose she excels at. I can see myself sitting in the front row while she gyrates on stage mere inches from my face, something I have done all my life, just not with Julia.
On the subject of names, there’s Mary Kate and Ashley. They’re the names Julia has given to two of her most prized treasures. Twin perky peaks she carries so well.
Whenever I see a Julia Juggs pictorial or video at SCORELAND or XLGirls.com, my compass points north. Thanks for that, Ms. Juggs.
